Like most of us these days, the triple-threat Broadway icon is constantly looking for ways to keep herself busy during lockdown whilst observing social distancing guidelines.

I call on a quiet Friday afternoon and find Ms Rivera in good spirits at her home in Upstate New York. She cheerfully recalls her mother’s futile pleas for her to rest. ‘My mother, if she were alive, would be very happy that I’m taking naps in the afternoon. She tried to get me through my entire life to take a nap. And I would never ever do that. Well, now I’m taking naps and I’m not so sure I like that!’, she laughs.

CHITA RIVERA. PHOTO BY LAURA MARIE DUNCAN

Her daughter, the singer, dancer and choreographer Lisa Mordente is by her side during this period. Lisa is Ms Rivera’s ‘most treasured production’ and the only Shark/Jet baby in history. Despite director Jerome Robbins’ strict demand back in the day for the Sharks and the Jets [West Side Story’s two rival gangs] to refrain from associating with one another in order to create more tension on stage, Ms Rivera ended up marrying Tony Mordente – a Jet.

Chita Rivera is very fond of England and has returned to this country time and again throughout her impressive career. She has performed on numerous occasions including in ‘West Side Story’, ‘Bye Bye Birdie’, ‘Kiss of the Spider Woman’, and most recently played two exclusive concerts at Cadogan Hall in 2019, as part of her solo tour.

When asked about her fondest memory of her time in England, she enthusiastically remembers having met HRM Queen Elizabeth ll, but that having ‘had a life as full as I’ve been blessed to have’, it’s difficult to choose only one. ‘I like the people of England and the theatre there. People go to the theatre. They sit and they listen and they really have an understanding of what they’re going to see. I appreciate that.’, she explains.

CHITA RIVERA IN ‘KISS OF THE SPIDER WOMAN’. PHOTO BY CATHERINE ASHMORE

Ms Rivera continues, ‘My daughter was a year old the first time we went there and the second time, with Birdie, she was three years old. Each one of those shows was a big hit and the audiences were wonderful. I’ve had the opportunity to not just work in England, but to live, have neighbours, and have a life there. We have many many friends in England.’

During the London production of ‘Kiss of the Spider Woman’ in 1992, she met Mr Harry Gabriel, Shaftesbury Theatre’s beloved stage doorkeeper, for whom a handful of distinguished artists, including Ms Rivera, will be performing an online concert on 15 July, to celebrate his 40-year career. ‘I love Harry! You walk through that door and the very first face you see is Harry’s face. It’s the most welcoming, the warmest and the sweetest introduction to your evening that you can possibly have. It does help when the first person you see is a welcoming sight. And he enables you to really do a wonderful show!’, she exclaims.

CHITA RIVERA IN ‘WEST SIDE STORY’. PHOTO BY MARTHA SWOPE. ©NEW YORK PUBLIC LIBRARY

Ms Rivera made history by originating and shaping the roles of Anita in ‘West Side Story’ (1957) and Velma Kelly in ‘Chicago’ (1975), both of which secured Oscars for Rita Moreno and Catherine Zeta-Jones, respectively, who went on to portray the characters on screen.

She landed the leading role in ‘West Side Story’, the ground-breaking musical by Leonard Bernstein, Stephen Sondheim, Jerome Robbins and Arthur Laurents, back in 1957. Having brought ‘passion, motherly instinct and devilish humour’ to the role of Anita, she credits Leonard Bernstein, in no small part, for her singing abilities.

Bernstein had invited Ms Rivera to his apartment to help her inhabit the role of Anita musically. ‘He taught me to appreciate and understand the music itself. And he went through it with me, note for note. He actually, I can almost say, taught me how to sing. His personality was a warm and friendly one and he made me feel as though I could do this amazing music. I was very nervous at first, but he made me comfortable. He was not so superior that I felt as though I couldn’t do it. He put me on the same level as himself and I felt as though I was the right person for that music. So it was exciting to sit next to him and feel his energy and understand his music.’, she recalls.

CHITA RIVERA & COMPANY IN ‘THE VISIT‘ (2015). PHOTO BY THOM KAINE

Ms Rivera’s voice adopts a sad tone when asked about the great playwright Terrence McNally, whom we’ve lost to coronavirus earlier this year. She talks about him in the present tense, as if he’d never left us, and declares that, ‘Terrence McNally is a great playwright. He is brilliant. He taught me how to speak his language, how to have faith in myself, and how to play in this wonderful piece of theatre called ‘Kiss of the Spider Woman’ and get good reviews out of it. It was brilliantly written, therefore every night I went into that theatre was an exceptional evening for me.’

‘The Visit’, the final musical collaboration between Terrence McNally, composer John Kander and lyricist Fred Ebb, added more awards to Chita Rivera’s impressive résumé. ‘The Visit was extraordinary! He writes very well for Kander and Ebb, and obviously he writes wonderfully for me. It was a very exciting time in my life. It was a complicated show, a very dark musical, but he made the audiences understand what the play was all about. Some people misunderstood it and thought it was a play about death. We thought the play was really about love. But that’s what’s so great about theatre. You go to the theatre and you have your own interpretation.’, she says.

CHITA RIVERA SOLO AT CADOGAN HALL, LONDON, 10 FEB 2019. PHOTO BY DARREN BELL

With her upcoming shows being postponed due to the pandemic, Ms Rivera keeps herself busy by doing virtual shows and interviews. Over the past few months, she has made a few online appearances to fundraise for Broadway Cares/Equity Fights AIDS, The Actors Fund, recently raising over $100K for Broadway Cares’ COVID-19 Emergency Efforts during the stream of her October 2013 concert, ‘Chita: A Legendary Celebration’. The 2013 benefit concert for Broadway Cares, which took place at the August Wilson Theatre, originally raised around $500K at the time, bringing Chita: A Legendary Celebration’s performance total to over $600K.

Notwithstanding the technical difficulties that come with such endeavours, she accepts that, for now, this is the only way ‘you can express yourself and explain how your experience has been’.

Her advice to everyone who is struggling during ‘this time of confusion’ is to find ways to make their own lives interesting. ‘We find out more about ourselves by delving into our own conscience. It’s very hard but you have to look forward to waking up in the morning and finding something constructive about your life and about your work.’, Ms Rivera reflects. ‘This pandemic is making us aware of each other much more than we have been. I think it’s turning into a less selfish time and it’s making us realize how fortunate we have been in our lives by thinking about other people, not just ourselves.’

CHITA RIVERA, GWEN VERDON, CHICAGO, 1975. PHOTO BY MARTHA SWOPE. ©THE NEW YORK PUBLIC LIBRARY

Despite admitting that the business has changed drastically since she started her career, Ms Rivera is adamant that one thing did remain the same. ‘You have to accept the fact that times change but the wonderful thing about the theatre is that it’s alive. Audiences are very smart and very aware of when you’re being truthful and when you’re being phoney. So I think the theatre forces us to be honest.’, she elaborates. ‘This pandemic is a whole ‘nother bag of beans. We have to wait until this is over to find out how our theatre is going to be done. We’re not in charge and, in a way, that’s good.’

For any individuals who are looking to pursue this career, Ms Rivera has one simple piece of advice: ‘They have to have patience with themselves and get to learn as much as they can about the business and about other people. But most of all, I think they have to have faith in themselves, in what they want to do and how they want to express themselves.’

One of Broadway’s greatest legends, with numerous iconic roles under her belt, Chita Rivera is one of the most nominated performers in Tony Award history having earned ten nominations, won twice and received the 2018 Special Tony Award for Lifetime Achievement in the Theatre. In 2009, she was awarded The Presidential Medal of Freedom by President Barack Obama and in 2002, the coveted Kennedy Center Honor. In 2018, Ms Rivera was honoured as a Living Landmark by the New York Landmarks Conservancy.

CHITA RIVERA & DICK VAN DYKE IN ‘BYE BYE BIRDIE’. PHOTO BY FRIEDMAN-ABELES

Looking back at her illustrious career, Chita Rivera proudly declares that if she had the opportunity to go back in time and do it all over again, she wouldn’t change a thing. She explains, ‘This is what I tell the kids: “Your eyes are meant to see, your ears are meant to listen and your mouth is made to speak. You’ve got to use them all.” Hopefully, you use them in the best of ways. But you must see, listen and speak. And I think I did all of that. I was extremely obedient as a performer, and by listening and seeing I learned so much not just about the theatre, but about my life. So I don’t think I would do things differently. And I think that’s a blessing.’

She continues, ‘I can honestly say I’m one of the luckiest performers in the world because I came at a very full time, The Golden Age, when the theatre was alive and well and there was a piece of good theatre in most theatres. I worked with some of the greatest and most creative people: Jerome Robbins, Jerry Herman, Michael Kidd, Jack Cole. And they’re a part of my being now.’

Ms Rivera was interviewed, together with her long-time friend and colleague, Graciela Daniele, for Khadifa Wong’s upcoming documentary ‘Uprooted: The Journey of Jazz Dance’, which is a cinematic exploration of the art form of jazz dance. ‘Graciela is a great gift and a great talent. She is a great director and this is a girl that has been through much in her life and she has now put it back into the theatre. She is like my soul sister. We’re hoping this piece will be successful.’, she concludes.

‘Uprooted: The Journey of Jazz Dance’ is set to be released on 20 July.

Chita Rivera will make a guest appearance on the online training platform, Bridge to Broadway, on Wednesday, 1 July, at 6pm BST/1pm EDT. Her fans, as well as up and coming industry professionals, will get the unique chance to learn more about her career and ask her questions during the Q&A segment of the masterclass.

Bridge to Broadway has announced their next line-up of industry superstars who will mentor students and young professionals during the June masterclasses.

TONYA PINKINS, DONNA MURPHY, CHUCK COOPER AND LILLI COOPER

Actress Ciara Renée (‘The Hunchback of Notre Dame’, ‘Frozen’, ‘Big Fish’) will join Tony winners Tonya Pinkins and Donna Murphy who will lead a joint master class (available as a bonus class for June ClassPass holders only), Tony winner Chuck Cooper and nominee Lilli Cooper who will lead a father-daughter master class, Two-time Tony-winning composer and lyricist Adam Guettel (who is also the grandson of legendary musical theatre composer Richard Rodgers), Emmy winning casting director Jeff Greenberg (‘Modern Family’, ‘Frasier’, ‘Cheers’), Tony, Drama Desk and Grammy nominee Joshua Henry, Drama Desk Nominee Stephanie Hsu (‘Be More Chill’, ‘The Marvelous Mrs Maisel’, ‘The Path’), internationally acclaimed audiobook narrator Edoardo Ballerini (‘The Sopranos’, ‘Boardwalk Empire’, ‘Dinner Rush’), and master on-camera acting teacher Gary Perez (‘When They See Us’, ‘13 Reasons Why’, ‘The Blacklist’). Mickey Rowe of ‘Curious Incident of the Dog in the Night-Time’, who is the founder and Artistic Director of National Disability Theatre, will also be among the guests on Bridge to Broadway in the following weeks.

JOSHUA HENRY AND ADAM GUETTEL

Bridge to Broadway matches emerging artists with seasoned pros in live conversations and Q&As supporting The Actors Fund. Actor and author Erik Liberman teaches master classes around the country and is a recent inductee into the National Alliance of Acting Teachers. Marissa Lynn Daniel produces this series. Director Dan Fishbach associate produces.

Readers of The Cinematic Journal receive 25% off all classes and class passes in May and June. Just use the code TTEP74GF during checkout.

For more information, visit www.bridgetobroadwayonline.com/.

The Old Vic just launched Your Old Vic, a programme of creative, fun and inspiring events, projects and educational content to keep the theatre connected with audiences, and audiences connected with each other during these unprecedented times.

‘Today I’m very happy to announce this array of free online content which we aim to be fun, engaging, useful and supportive to our various audiences during this difficult time. We are facing a tough and even perilous year ahead, fighting for our survival like so many others in the cultural sector. But whilst our building is dormant, its heart is still beating and our sense of purpose – as an artistic powerhouse, fuelled by a spirit of fun and adventure, with an equally strong social mission – is stronger than ever.’, Matthew Warchus, the Artistic Director of The Old Vic, explained.

MATT SMITH AND CLAIRE FOY IN LUNGS © HELEN MAYBANKS

As they were rehearsing Lungs last year, Claire Foy and Matt Smith took the play on a couple of occasions to local schools in order to try it out in front of an audience before bringing it to The Old Vic’s stage. This experience gave them a chance to observe first-hand how taking theatre into schools can have a hugely positive impact.

As theatres were forced to close their doors, The Old Vic, with support from their newly-appointed Hub Ambassadors Claire Foy and Matt Smith, saw this as an opportunity to bring theatre into everyone’s homes and schools, for free. It is a resource for teachers, students, parents and guardians homeschooling, emerging talent, and anyone interested in theatre wanting to learn new skills.

The Education Hub gives audiences behind-the-scenes access to hear from artists and performers, and provides invaluable career advice, as well as resource packs for teachers, employability tips and inside guides.

‘Now The Old Vic, along with other theatres, is closed. But there is still good work we can do. Mostly through the social mission of the theatre – whilst the art on stage is on hold, we can bring our work to you at home, and in your schools. That’s the idea behind the Education Hub – a resource for teachers, students, parents homeschooling, young creatives of the future at home wanting to learn new skills; this is something that everyone can have access to, for free.’ – Claire Foy and Matt Smit

GEORGE MACKAY AND SHEILA ATIM

The Old Vic has also launched Playcrush Podcast, a brand new weekly podcast in collaboration with Sherman Theatre, Cardiff, hosted by the Sherman’s Artistic Director (and previous Old Vic Baylis Director) Joe Murphy. The first episode will air on Acast on Mon 25 May at 10am and will feature George MacKay (1917), with the second episode on Mon 01 Jun featuring Sheila Atim.

Follow the hashtag #YourOldVic for The Old Vic’s latest announcements on new content.

Bridge to Broadway continues to quickly fill up its masterclass calendar for May and June with industry superstar guests.

The newly-announced mentors who will join Erik Liberman over the next few weeks are three-time Tony-winning composer Jason Robert Brown, Tony and Olivier winner and ‘Disney Legend’ Lea Salonga, Tony-winning master voice teacher Joan Lader, two-time Tony-nominated composer Craig Carnelia, Emmy-winning actor Ron Cephas Jones (‘This Is Us’), TV star Yara Martinez (‘The Deputy’, ‘The Tick’, ‘Jane the Virgin’), animation voice-over director, producer, casting director Ned Lott (Miyazaki films, ‘Cars’, ‘Monsters, Inc.’, ‘The Incredibles’, ‘Lord of the Rings’), and Lucille Lortel Award winner Larry Owens, who starred in the Pulitzer Prize-winning musical ‘A Strange Loop’.

RON CEPHAS JONES in ‘THIS IS US’. © 2017 NBCUNIVERSAL MEDIA, LLC

Previously announced guests on Bridge to Broadway include Tony-winning actors Andrea Martin, Ben Vereen and Christine Ebersole, nominee Austin Pendleton, showrunner Joshua Safran (‘Gossip Girl’, ‘Smash’), Vincent Rodriguez (‘Crazy Ex-Girlfriend’), and ‘Wicked’ star Alexandra Billings, among many others.

Bridge to Broadway connects theatre students and emerging artists around the world with their role models and supports artists by donating a percentage of net proceeds to The Actors Fund.

Bridge to Broadway is now offering payment plans for those in financial distress and 25% off discount codes for students/alumni/teachers at any performing arts training centres who would like to enhance their educations with Bridge to Broadway’s offerings.

For more details about Bridge to Broadway and their previous guests, check out this article or visit Bridge to Broadway’s website, where you will find the complete masterclass calendar.

National Theatre has just announced the next collection of plays to be streamed on their Youtube channel for free over the next few weeks.

Following the coronavirus lockdown that has seen theatres around the world lower their curtains indefinitely, National Theatre has launched a Youtube channel dedicated to streaming productions that had been previously screened in cinemas globally as a part of National Theatre Live.

They kicked off their exciting programme on 2 April with Richard Bean’s ‘One Man Two Guvnors’ featuring a Tony Award-winning performance from James Corden, followed by Sally Cookson’s stage adaptation of Charlotte Brontë’s ‘Jane Eyre’, Bryony Lavery’s adaptation of Robert Louis Stevenson’s ‘Treasure Island’, and ‘Twelfth Night’ featuring Tamsin Greig as Malvolia in Shakespeare’s classic comedy.

TOM HIDDLESTON IN CORIOLANUS. © JOHAN PERSSON

Following stellar performances by Benedict Cumberbatch and Jonny Lee Miller who exchanged the roles of the Creature and Victor Frankenstein on two consecutive nights (30 April and 1 May, respectively) in Danny Boyle-directed ‘Frankenstein’, Gillian Anderson and Tom Hiddleston are now headlining the next carefully-curated selection of plays.

The streaming schedule for the following weeks is as follows:

7 May – ‘Antony & Cleopatra’, starring Ralph Fiennes and Sophie Okonedo, and directed by Simon Godwin.

14 May – Inua Ellams’ ’Barber Shop Chronicles’, with Fisayo Akinade, Hammed Animashaun, Cyril Nri and Sule Rimi.

21 May – Tennessee Williams’ ’A Streetcar Named Desire’, directed by Benedict Andrews and starring Gillian Anderson as Blanche, Ben Foster as Stanley and Vanessa Kirby as Stella. Fun fact: this is the fastest-selling show in Young Vic history.

28 May – James Graham’s ‘This House’, directed by Jeremy Herrin, and featuring Phil Daniels, Reece Dinsdale, Charles Edwards and Vincent Franklin.

4 June – the Donmar Warehouse’s production of Coriolanus, staged by former Artistic Director Josie Rourke and starring Tom Hiddleston, Alfred Enoch, Deborah Findlay and Mark Gatiss.

Each production will be screened live every Thursday at 7.00pm GMT, and will then be available on demand for seven days.

GILLIAN ANDERSON IN A STREETCAR NAMED DESIRE. © JOHAN PERSSON

Even though all productions will be streamed for free, National Theatre encourages viewers to donate what they can via Youtube. The money donated will be shared with the co-producing theatre organisations of each stream, including the Donmar Warehouse, Fuel, Leeds Playhouse and the Young Vic, which will help support them during this difficult period of closure.

Lisa Burger, Executive Director and Joint Chief Executive said, ‘I’m delighted that in this next collection of titles to be streamed as part of National Theatre at Home we are including productions from our NT Live partner theatres. When we launched National Theatre at Home last month, we wanted to offer audiences the opportunity to engage with theatre during this time of isolation while we were unable to welcome them to the South Bank or into cinemas.

‘This initiative wouldn’t have been possible without the support of a great number of artists for which we are incredibly grateful. We have been absolutely thrilled by the response from viewers enjoying the productions from right across the globe, and we have also been surprised and delighted at the generous donations we’ve received since closure. Whilst the National Theatre continues to face a precarious financial future, we now feel able to make a payment to all artists involved, as we recognise a great many are also experiencing a particularly challenging time at this moment. While theatres across the world remain closed, we’re pleased that we can continue to bring the best of British theatre directly into people’s homes every Thursday evening.’

Actor Erik Liberman (‘War Paint’, ‘The Band’s Visit’, ‘The Hunchback of Notre Dame’) has recently launched Bridge to Broadway, an online training platform that connects young professionals with Broadway actors, directors, music directors, composers, lyricists, casting directors, and vocal coaches in behind-the-scenes conversations.

As social distancing seems to force everyone to adapt to the ‘new normal’, Bridge to Broadway came as a swift and welcome solution to help keep theatre students and emerging artists around the world connected with their role models. Furthermore, the initiative supports artists by donating a percentage of all proceeds to The Actors Fund.

The star-studded line-up recently included Tony winners Judith Light, Alan Menken, Harvey Fierstein, Joe Mantello, Victoria Clark, Christopher Gattelli, Joan Lader, Ali Stroker, Michael McElroy, as well as Hamilton’s Javier Muñoz and composer-lyricist Steven Lutvak, to name a few.

JAY DUPLASS

Prominent actor, author, writer, producer and filmmaker Jay Duplass (‘Transparent’, ‘Room 104’, ‘Togetherness’, ‘Wild Wild Country’) will make his guest appearance on Bridge to Broadway on Saturday, 2 May, at 01:00 p.m. EDT.

Jay, together with his brother Mark, recently executive produced the documentary ‘Not Going Quietly’, which was scheduled to premiere at the 2020 Tribeca Film Festival, but unfortunately missed a Tribeca launch.

The documentary chronicles the life of Ady Barkan, a political activist, lawyer and Be a Hero PAC co-founder diagnosed with ALS who embarks on a nationwide campaign for healthcare reform. Over the course of his career, politicians like Elizabeth Warren, Bernie Sanders and others have acknowledged and supported his work.

The perfectly timed documentary comes at a critical time, as the novel coronavirus pandemic keeps highlighting the importance of a solid healthcare system.

NOT GOING QUIETLY. © DUPLASS BROTHERS PRODUCTIONS

According to IndieWire, Jay recently stated that he and his brother had been preparing, unintentionally, for the global crisis brought forth by the pandemic with their ‘epically small’ approach to filmmaking. Their glass-half-full perspective might bring some comfort to filmmakers working on small productions during these difficult times.

Duplass explained, ‘We could be among the first people back on track and shooting. For us to make a small movie, we could take 17 people to a special rural location. We didn’t invent this model, but we’ve gotten good at it, knowing where to spend our time, energy, and resources. Actors can do their own hair and makeup and socially distance, not stacked on top of each other. That isn’t a big incubation risk.’

Jay is also scheduled to star in Amanda Peet’s six-episode series ‘The Chair’, co-starring Killing Eve‘s Sandra Oh. The show, which is executive produced by David Benioff, D.B. Weiss, Amanda Peet and Sandra Oh, is set to start shooting in late summer, if the current global situation permits it.

Other notable upcoming guests on Bridge to Broadway in the next few weeks will include Tony-winning actors Andrea Martin, Ben Vereen, and Christine Ebersole, Tony winners André de Shields, Ted Sperling, Michael Cerveris and Ann Reinking, nominees Arian Moyaed, Michele Shay, Michael Berresse, and Austin Pendleton, casting director and AMPAS Board Member Bernie Telsey, showrunner Joshua Safran (‘Gossip Girl’, ‘Smash’), trans-advocate and Broadway/TV actress Alexandra Billings, and Vincent Rodriguez (‘Crazy Ex-Girlfriend’), among many others.

“This is a time of isolation and financial contraction for many, so we want to engender a spirit of community, accessibility, belonging and above all, service, among participants.”

In addition to actors, directors, writers, producers, casting directors, composers, lyricists, music directors, choreographers, Bridge to Broadway’s roster includes writing coaches, nutritionists, photographers, mental wellness experts, dyslexia specialists, diversity advocates etc., so that conversations transcend the world of acting.

The sessions are structured into a 30-minute interview between Erik and his guest, where they touch upon topics such as the guest’s creative process, pivotal personal and professional junctures and underlying missions, followed by a 30-minute Q&A with the participants. Each session runs for a minimum of one hour, although a few past guests have graciously shared their time and knowledge with the students for up to two hours.

Apart from being packed with invaluable behind-the-scenes tips from industry giants, these mentorship classes also come at a bargain price, so that as many students and industry professionals can join in. Additionally, those who enroll in Class Pass (granting them unlimited access to classes in May) by the end of May 1 will receive a half-hour 1-2-1 coaching session with Erik, who is a seasoned mentor and teaches all over the US.

‘Our sessions are affordable because we don’t believe students should be denied education at any age. This is a time of isolation and financial contraction for many, so we want to engender a spirit of community, accessibility, belonging and above all, service, among participants. We believe that every participant should be able to identify a role model within our roster of guest artists and should feel empowered to give something richer back to their communities after spending time with us!’, Erik explained.

ERIK LIBERMAN. © PETER KONERKO

Chameleonic actor Erik Liberman is recognized for originating roles in several productions on Broadway and off, including ‘War Paint’ with Patti LuPone, ‘The Band’s Visit’ with Tony Shalhoub, Alan Menken and Stephen Schwartz’s ‘The Hunchback of Notre Dame’, and Hal Prince’s ‘LoveMusik’. Television work includes ‘Transparent’, ‘Modern Family’, and Martin Scorsese and Mick Jagger’s ‘Vinyl’. Liberman has also performed in Carol Burnett’s ‘Hollywood Arms’, portrayed Groucho Marx at the Obama White House, appeared in acclaimed Stephen Sondheim revivals, as well as opposite Topol and Harvey Fierstein in ‘Fiddler on the Roof’, later leading the show’s all-star 50th anniversary celebration at New York City’s Town Hall with Chita Rivera.

The Bridge to Broadway series is produced by performer and producer Marissa Lynn Daniel.

For more information and to sign up for classes, head over to https://bridgetobroadwayonline.com/

When TV’s Emmy-winning ‘Fleabag’ ended in April 2019, the show’s loyal followers weren’t quite ready to accept that its eponymous heroine’s journey would end with season 2.

However, Phoebe Waller-Bridge surprised her fans last summer when she announced the play upon which the TV show is based would be back in theatres for a limited run in August. Unsurprisingly, the show was immediately sold out.

In light of the coronavirus crisis which has largely affected the industry, Waller-Bridge has decided to revive the play which will be available to view online for two weeks. All proceeds will go towards four charities dedicated to supporting those affected by the COVID-19 pandemic, including National Emergency Trust, NHS Charities Together, Acting For Others and Fleabag Support Fund, an initiative which will provide grants of £2500 to freelancers working in the theatre industry.

In the UK you can watch the show via Soho Theatre On Demand right now and it costs £4 (or more, if you wish to further support the causes). ‘Fleabag’ will also be made available to US audiences via Amazon Prime, starting Friday, 10 April.

PHOEBE WALLER-BRIDGE © JASON HETHERINGTON

Directed by Vicky Jones, the play, which originally premiered in 2013, was staged at the Edinburgh Fringe, at the Soho Theatre, off-Broadway and at the Wyndham’s Theatre in the West End.

On the streaming initiative, Waller-Bridge commented: ‘I hope this filmed performance of “Fleabag” can help raise money while providing a little theatrical entertainment in these isolated times. Thank you to all our partners and to the creative team who have waived their royalties from this production to raise money for such vital causes in this unbelievably challenging situation.

‘All money raised will support the people throughout our society who are fighting for us on the frontlines and those financially devastated by the crisis, including those in the theatre community. Thank you in advance to those who donate. Now go get into bed with Fleabag! It’s for charity! Px’